Art at every moment of our human history is discovering and using the languages that are available.
Just as in the Lascaux caves stone and earth pigments were the language, now we can also use digital language.
Art at every moment of our human history is discovering and using the languages that are available.
Just as in the Lascaux caves stone and earth pigments were the language, now we can also use digital language.
Art at every moment of our human history is discovering and using the languages that are available.
Just as in the Lascaux caves stone and earth pigments were the language, now we can also use digital language.
Art at every moment of our human history is discovering and using the languages that are available.
Just as in the Lascaux caves stone and earth pigments were the language, now we can also use digital language.
Emotions are neither good nor bad, they are just energies that we can use in various ways.
For example: anger. It can be used to be aggressive or to push us forward in our professional life, or to create beautiful, action-packed pictures.
Emotions are neither good nor bad, they are just energies that we can use in various ways.
For example: anger. It can be used to be aggressive or to push us forward in our professional life, or to create beautiful, action-packed pictures.

Ediart
Art & Creative Exploration
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Longing — in the Mirror
Painting "Sustenta ou trava?" (Sustains or blocks?) –– Movement 2 – Unfolding

The limbs weigh heavy — forged in the braids and dramas of time.
Should I keep carrying it?
When the inspiration for this painting reached me, I still didn’t know how to bring it to life. Images appeared in my mind, jumping around without sense or coherence. Developing the concept, finding the right images, resolving the composition, and finally executing the painting — each step was part of an intense and transformative process. Days went by filled with choices, adjustments, and experiments, until, in the end, everything fell into harmony. With the certainty that this painting will bring transformation and presence to the daily life of the person who owns it.
Specifications and price –– Mixed media, acrylic and gesso on canvas, 50 x 50 cm CHF 450 –– Colors in the photo may vary from the original artwork. –– This work is the basis for ‘Variations on a Theme’, a series of variations exploring colors, shapes, and interpretations of the same concept, with each piece remaining unique in its presence and expression.
Painting "Queda livre" (Free fall) –– Movement 3 – Composition

Free fall, breaking the chains. Falling. Into the unknown. With no solid ground. Forward or back?
Can I choose?
When the spark of inspiration for this painting arose, I still had no clarity on how to translate it into form. Disconnected, fragmented visions danced in my mind, without order or sense. Bringing the concept to life, selecting the right images, organizing the composition, and finally materializing the painting required focus, patience, and total dedication. Days passed through experiments, adjustments, and discoveries, until everything found its rightful balance. Today, this work carries the certainty of provoking, awakening, and bringing intensity to the experience of those who add it to their collection, while also contributing to the space they inhabit.
Specifications and price –– Mixed media, acrylic and gesso on canvas, 50 x 50 cm CHF 450 –– Colors in the photo may vary from the original artwork. –– This work is the basis for ‘Variations on a Theme’, a series of variations exploring colors, shapes, and interpretations of the same concept, with each piece remaining unique in its presence and expression.
Painting "Para além" (Moreover) –– Movement 2 – Unfolding

The fear of fading away. The longing for security. Who will bring the rescue?
Do I long for a hero?
The inspiration for this painting struck me without warning, and I still had no clear way to realize it. Images came to mind, chaotic and disconnected. Shaping the concept, selecting the right images, organizing the composition, and executing the painting required full attention and meticulous work. Days passed through experiments and refinements until every element found its place. Now, this painting carries the power to provoke reflection and presence, enhancing the experience of those who acquire it and bringing beauty to their daily space.
Specifications and price –– Mixed media, encaustic, acrylic, and gesso on canvas, 50 x 50 cm CHF 450 –– Colors in the photo may vary from the original artwork. –– This work is the basis for ‘Variations on a Theme’, a series of variations exploring colors, shapes, and interpretations of the same concept, with each piece remaining unique in its presence and expression.
Painting "Refúgio" (Refuge) –– Movement 1 – Enchantment

Resting on the sands of everyday life, in silence, a rediscovery
A meeting with myself?
When this painting began to take shape in my mind, there was no clarity on how to realize it. Figures and ideas emerged, scattered and without direction. Translating the concept, identifying the right images, resolving the composition, and finally executing the work was a deep and demanding process. Days of choices, adjustments, and trials led to the final harmony. Today, it presents itself as a work that touches, moves, and enriches the daily life of those who collect it.
Specifications and price –– Mixed media, encaustic, acrylic, and gesso on canvas, 50 x 50 cm CHF 450 –– Colors in the photo may vary from the original artwork. –– This work is the basis for ‘Variations on a Theme’, a series of variations exploring colors, shapes, and interpretations of the same concept, with each piece remaining unique in its presence and expression.
Painting "Travessia" (Crossing) –– Movement 3 – Composition

Towards the center — where everything awaits and where everything is recognized.
And if I look within?
The seed of inspiration for this painting sprang up without warning, yet I still did not know how to realize it. Thoughts and images jumped around in my mind, disconnected and chaotic. Building the concept, gathering the right elements, organizing the composition, and painting the work was an intense journey of experimentation and focus. Days passed through decisions and refinements until, finally, everything came into harmony. Today, this work has the gift of awakening, provoking, and bringing meaning to the experience of those who acquire it, while also adding value to their everyday space.
Specifications and price –– Mixed media, encaustic, acrylic, and gesso on canvas, 50 x 50 cm CHF 450 –– Colors in the photo may vary from the original artwork. –– This work is the basis for ‘Variations on a Theme’, a series of variations exploring colors, shapes, and interpretations of the same concept, with each piece remaining unique in its presence and expression.
Painting "No eixo" (On the axis) –– Movement 4 - Offenbarung

On the axis there are no answers and no questions either. Only presence. And the longing — in the mirror,
Do I embrace my own colors?
When the idea for this painting arrived, I still did not know how to transform it into an image. Fragments and visions appeared in my mind, disconnected and confused. Developing the concept, choosing the right elements, organizing every detail of the composition, and bringing the work to its final form was a path of immersion and dedication. Days of testing, adjustments, and discoveries passed until everything found its perfect balance. Today, this painting presents itself as a presence capable of touching, inspiring, and adding meaning to the experience of those who bring it into their collection. Like a devoted and silent friend, who does not judge, but simply accompanies.
Specifications and price –– Mixed media, encaustic, acrylic, and gesso on canvas, 50 x 50 cm CHF 450 –– Colors in the photo may vary from the original artwork. –– This work is the basis for ‘Variations on a Theme’, a series of variations exploring colors, shapes, and interpretations of the same concept, with each piece remaining unique in its presence and expression.